Oz the Great and Powerful
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A little time performer is cleared away to a captivated land and is constrained into a power battle between three witches.
Oz the Great and Powerful Trailer #1:
We found 1 clip for "Oz the Great and Powerful Kodi" under 90m in length. We found 0 clips over 90m.
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Duration: 130mYear: 2013
MPAA Rating: Rated PG
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Find yourself in Oz.
Watch Oz the Great and Powerful Movie Trailer #2 Online (YouTube):
Oz the Great and Powerful Full Movie Storyline:
Oscar Diggs (James Franco) is an aspiring illusionist/cheat utilized by a midwestern voyaging carnival. In spite of being extraordinarily driven, Oscar’s enchantment profession isn’t taking off. His dreams are shoddy, his suits are torn and fixed, and he’s scarcely profiting to keep his head above water. Forthcoming (Zach Braff), Oscar’s carnival right hand, freight ships into Oscar’s procession as he puts the proceeds onward his most recent conjurer’s associate May (Abigail Spencer). He creates a little wooden music box, which he guarantees once had a place with his incredible grandma, and offers it to May as a token of his adoration. Blunt reminds Oscar, (or Oz, as he’s known), that his next show is going to start. Straight to the point hands Oz the show’s money takings: an old cap loaded with twelve quarters and nickels. Oz reluctantly culls a couple of coins from the cap and offers them to Frank, and pockets the rest. Candid is despondent with how Oz treats him.
The enchantment demonstrate starts with Oz striding out onto the phase in a mysterious, semi oriental robe and turban A young lady in a wheelchair in the front column (Joey King) watches in amazement as Oz requires a volunteer. Twelve hands shoot up, however none have a place with May, Oz’s collaborator and ringer for the show. Oz at last calls May to the stage, much to the bewilderment of the group, and she makes that big appearance. Backstage, Frank creates the majority of the down to earth impacts for the show: playing music, setting off fireworks, and so forth. In front of an audience Oz places May into a profound rest and causes her oblivious body to drift in mid air. A furious voice yells something from the back: “I see a wire!” Another voice participate: “No doubt! I see two of them!” Bright lights are thrown onto the stage, and beyond any doubt enough, two extremely unmistakable wires are seen suspending May’s body from the roof “I need my cash back you misrepresentation!” Oz signals to Frank, who hurls him a scimitar. Oz flicks the scimitar between his hands and after that savagely cuts the obvious wires…. yet, May stays skimming. The group heaves and Oz, for the finale, whips the silk sheet off of May’s body, uncovering unfilled air. The pack praises as one, and Oz joyfully acknowledges the “Bravos!” and “Reprises!”, and afterward a little voice slices through the cheers: “Make me walk!” All goes quiet. The young lady in the front line, in the wheelchair, inspires herself toward the stage and rehashes her requests “It would be ideal if you Wizard. Make me walk!” Oz, found napping by the unscripted demand, looks for a strategic or ardent reaction, however every one of that turns out is “I’m not that sort of wizard, child.” The group turns on him, booing and murmuring. Oz, who is presently being pelted by popcorn and nut shells, advises Frank to close the shades.
Outside, the bazaar society are quickly pressing up the voyaging carnival as dark mists whirl above them. Forthright approaches Oz and lets him know that a specific woman companion is sitting tight for him in his band. He avoids the disorder, enters his convoy and is shocked to see a youthful blonde lady, and not May, sitting tight for him. This is Annie (Michelle Williams); one of Oz’s old sentiments he met out and about. She’s come to see Oz on the grounds that another man proposed to her and she needed to let him know first. The combine’s science is self-evident, however Oz’s philandering has demolished anything they may have had. Outside, May looks as another brunette, near her age, blasts out of a tent holding a music box indistinguishable to the one Oz gave her. She quickly understands that Oz utilized her. Seconds after the fact a furious solid man, the lady’s significant other, comes blasting out of the tent, dead set on verbally smacking Oz around. The solid man crashes through Oz’s procession divider and pursues Oz all through the carnival. Oz figures out how to sneak on board a prepared hot air inflatable and get away from the grasp of the solid man. As he takes off away Frank tosses Oz his cap and mystical performer’s sack, loaded with his different illusionary instruments. From above Oz looks as all the carnival society frightfully flee, and after that he sees it: an enormous tornado which is sucking him in. Oz pins himself as firmly as could be allowed into the inflatable’s wicker container as the whole contraption is fiercely whipped forward and backward inside the tornado.
After almost being pierced many times, Oz and the inflatable escape the vicious winds of the twister and develop in the beautiful, widescreen World of Oz. Oz and the inflatable fortunately abstain from hitting the mammoth mountains encompassing them, however the inflatable eventually crashes, and Oz unceremoniously arrives in a shallow stream. Oz, confounded, gets himself encompassed with colossal aware plants and little fiendish pixies which peck at his legs. He gets out for help, and through the brambles shows up the delightful and appealing Theodora (Mila Kunis). Theodora answers him and Oz, struck by her magnificence, puts on the appeal. He advises her that his name is Oz, and she is stunned – the prediction anticipated that a wizard named Oz (the name of their property) would come back to Oz and spare them from the Wicked Witch. Oz, jokes that all witches must be green, warted, and must ride a floor brush, to which Theodora reacts “yet I’m a witch.” She clarifies that there are great witches and devilish witches, and that she is basically a decent witch. Secretive snarling echoes from the woodland close-by and Theodora, perceiving the sound of the Wicked Witch’s followers advises Oz to stow away. The match vanish into a recess and look as a terrifying winged howler monkey swoops in and hunt down them. Oz, thinking rapidly, ventures into his top cap and recovers a white bird which he discharges into the air. The howler monkey, seeing the flying creature, takes off after it. Oz and Theodora escape and start their trek to the Emerald City.
Oz utilizes his charms to engage Theodora, and she soon becomes hopelessly enamored with him. She lets him know that as the new Wizard of Oz, he will soon turn into the land’s new ruler and that, on the off chance that he will permit it, she will be his ruler. As a token of his adoration, Oz gives Theodora a wooden music box – a similar sort of box given to May and endless other ladies he met throughout the years. The match strolls toward the Emerald City and soon run over a winged Capuchin monkey tangled in a mass of man eating plants. Theodora beseeches that Oz help the monkey and Oz, willing to inspire his new young lady, liberates the monkey, named Finley (Zach Braff) from the weeds. Oz soon understands that the plants were not the genuine danger. A huge lion shows up, going to jump on Oz and Finley. Oz, without considering, ventures into his coat pocket and hurls a modest bunch of powder to the ground. Thick red smoke detonates starting from the earliest stage panics the fearful lion away. Theodora, now persuaded that Oz is the genuine wizard of the prescience, embraces him. Finley, grateful for Oz’s intercession, offers his subjugation to Oz forever. Finley clarifies that as an indebted person to Oz, he should do everything without exception Oz says. Oz quickly tells the stunned Finley that he is not the Wizard that Theodora believes that he is. He’s only a cheat, with a couple of figments and traps up his sleeve. Finley is frustrated to hear this news, however doesn’t tell Theodora. Oz hands his overwhelming pack to Finley and instructs him to tail them. The trio soon meets an expansive convoy of stallions and officers along a yellow-block street. Their pioneer, Knuck (Tony Cox) does not trust Oz is the considerable wizard Theodora says he is. Oz speaks condescendingly to Knuck, calls him “acrid puss” and instructs him to comply with his ruler. Oz and Theodora bounce into a carriage and are whisked away to the Emerald City. Inside the city Theodora acquaints Oz with her sister Evanora (Rachel Weisz) – a youthful brunette witch with a green sapphire accessory around her neck. Both astute and wonderful, Evanora takes a gander at Oz with suspicion. She and Theodora take him to the position of authority room, which Oz treats with little worship. Evanora reprimands the guileless Theodora for trusting that Oz was the wizard from the prescience, however consents to cleverness Oz until she can completely demonstrate that he’s a fake.
Evanora takes Oz to the King’s vault: a huge chamber flooding with gold and wealth, all property of the King of Oz. Oz energetically plunges into the heaps of gold while the ever distrustful Evanora looks on. She reminds Oz that the vault is the property of the King of Oz, which he will be just when he murders the Wicked Witch. Oz, understanding that his Kingship accompanies strings appended, drops the gold and starts to trust that he’ll never be above all else. Evanora mitigates him and clarifies that slaughtering the Wicked Witch won’t be troublesome. All that is required is breaking her wand; break the wand, execute the witch, that is it. Reinforced by this newly discovered data, Oz prepares himself to go get the witch.
With Finley close by, Oz takes off to the dull woods to discover and murder the Wicked Witch. En route the match happens over an as of late crushed town. The whole city is made of porcelain: porcelain houses which look like immense tea kettles, porcelain trees, and porcelain inhabitants. It’s very spooky. They hear crying inside one of only a handful few as yet standing houses. Inside they locate a modest, youthful porcelain young lady who, after the assault, was broken. Her legs were isolated from her body, and she cannot move. Oz solaces the China Girl (Joey King) and produces, from his sack, a little jug of moment dry paste. He repairs her smashed legs and helps her get to her feet. She joyfully expresses gratitude toward Oz and Finley and labels alongside them on their excursion. The trio goes to a byway; turn left for the Emerald City, turn ideal for the dim woods. Oz advises the China Girl to stroll to the Emerald City and tell Evanora that she is a companion of Oz. The China Girl has a tantrum, and declines to leave Oz as her family and companions are broken and dead, and he’s the main companion she has. Oz permits the China Girl to tail them to the dim woods.
The Dark Woods are unnerving. Bent, rough plants attempt to pierce the trio as they advance further into the woods. They at last go to a burial ground and see a dim, hooded figure attempting to enter. They rapidly understand that the figure must be the Wicked Witch, and look as the figure
In this section, we answer questions about the authenticity of Oz the Great and Powerful's story line, as well as what (if any) Sequels / prequels Oz the Great and Powerful has, and other random movie questions.
Was Oz the Great and Powerful based on a book?
Is Oz the Great and Powerful based on a historical event?
Not from the research we did.
Was Oz the Great and Powerful based on a true story?
Our fact-checks indicate that this is not based on a true story.
Does Oz the Great and Powerful have a sequel?
No (or unknown).
Was Oz the Great and Powerful a comic?
No, this movie was not based on a comic.
Is Oz the Great and Powerful "demonic"?
Not to our knowledge.
Is Oz the Great and Powerful kid-friendly?
Not as far as we know.
Is Oz the Great and Powerful on Netflix?
No (or "not at this time").